Work with me

Storytelling sits at the center of my practice. I draw inspiration from folklore, ecology, and books that rethink our relationship with the living world, like Braiding Sweetgrass and Team Human. I look for ways to let a story really land with an audience. Sometimes that means using digital technology to visualise a world or carry an interaction. Just as often it means none of that at all. We live in an era where storytelling is made “accessible” by visualising so much of what we consume. I’m interested in what happens when a story challenges the audience to imagine, because I believe imagination is an important muscle to train and reactivate in a time of so many crises. We’ll need our imagination to reach for possible futures, rather than simply accept the probable ones. In 2026/2027, I’m deepening this part of my practice through an intensive professional storytelling course, exploring the craft and potential of oral storytelling in more depth.

As a creative developer, I have the hands-on experience to create a wide range of interactive experiences: from games and interactive audio walks to installations, VR and group experiences. My expertise lies in connecting meaning to interaction: how can an action convey a message or emotion, bringing a story to life in an embodied way?

Audio walks are a specialism of mine, combining my experience with storytelling, interactive experiences and participatory practices. I’m looking for meaningful and innovative ways to use the medium while making sure the experience is enjoyable for its audience. How can an audio walk make you experience a familiar place differently? How can it invite imagination, create new connections between people, or challenge their relationship with the landscape? I have the knowledge and skills to develop and produce an audio walk in-house, from researching a place and its stories to developing and hosting the experience. This can take many shapes: live narration for a group, pre-recorded experiences with headphones, or self-guided walks through an app that can remain permanently in the landscape. I also experiment with innovative ways of adding interaction to these experiences, using elements of play, active hope and deep listening to create an experience with emotional impact.

I create and facilitate workshops that host shared, collective conversations for municipalities, heritage organisations, schools and cultural programmes. I am a strong advocate for exchanging stories of local, lived experiences: seeing how a theme can open up through co-creation, conversation and interdisciplinary collaboration. A theme I often work with in this field is climate grief.

Using the wide range of creative skills in my multidisciplinary practice gives me the advantage of directing a team whilst knowing what I’m talking about. I believe a lot more can be achieved through collaboration, and I love making a collaboration work. I care as much about how we make it as about what we make. That means asking how a work environment can be as non-exploitative as possible within a capitalist system, and how it can be built on exploration. I strive to create space for open communication, taking inspiration from non-violent communication to make room for resolving friction rather than avoiding it. How we might co-exist well is a question that is central to many of my projects, and something I also want to explore within team structures.

Curiosity drives a lot of my work. I ask a lot of questions about the world, which leads to a lot of conversations and listening. This also brought me to podcasts, a medium that feels like a natural fit for my curiosity about people and their stories. I’m available as an interviewer, voice actor and podcast editor.

I have joined events as their photographer, documenting get-togethers, co-creation weeks, residencies and ecological ceremonies.